Description
Tool bassist Justin Chancellor helped shape this Cry Baby around the way he actually plays live: sweeping between vocal-like wah textures, resonant filter sweeps, and gritty fuzz saturation without losing the low-end punch that bass rigs depend on.
- Wah mode delivers the classic Cry Baby vowel sweep, tuned to track bass frequencies instead of thinning them out
- Filter mode opens up synth-adjacent, resonant sweeps for ambient textures or rhythmic movement
- Fuzz mode adds saturated grit, letting you fold distortion into the sweep itself for aggressive lead or solo tones
Because all three characters live in one enclosure, it’s built to sit early in a bass signal chain—right where a wah or envelope filter typically goes—so you can switch between subtle tonal shaping and full-on fuzzed-out sweeps without swapping pedals mid-set. Whether you’re chasing Chancellor’s own layered soundscapes or just want a wah that won’t disappear under low B strings, this pedal is built specifically with bass frequencies in mind rather than adapted from a guitar circuit.
A solid choice for players who want expressive, movement-based tones—filter funk, fuzzed leads, or classic wah phrasing—condensed into a single pedalboard slot.
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