Description
EBS broke a 20-year streak of staying artist-name-free to build this one, because if any bassist earns a signature pedal, it’s Stanley Clarke. Co-developed with luthier Thomas Lieber of Spellbinder Corp. USA, this is Clarke’s own answer to what a bass wah should actually sound like: articulate, full-bodied, and never fighting your low end.
Flip between Wah and Volume modes on the fly, and shape the sweep across four filter types — Low Pass, Band Pass, Boosted Band Pass, and High Pass — so you can go from a subtle vocal-like quack to a more aggressive, cocked-wah growl without losing fundamental thump. The filter center frequency sweeps from 50 Hz up to 12.5 kHz, with adjustable Q from 4.5 to 16 for tightening or widening the resonant peak to taste.
Built as a true-bypass floor unit, it stays transparent when off and steps out of the way instantly when you kick it on. Runs on standard 9V DC power and handles both active and passive bass signals thanks to switchable input sensitivity.
- Wah or Volume pedal modes
- Filter modes: Low Pass, Band Pass, Boosted Band Pass, High Pass
- Filter center frequency range: 50 Hz – 12,500 Hz
- Filter Q: 4.5 (min) to 16 (max)
- Input impedance: 1 MΩ; Output impedance: 200 Ω
- Frequency response: +3/-3 dB, 20 Hz – 20 kHz
- Nominal input level: -8 or -20 dBV (active/passive)
- True bypass
- Dimensions: 10.6″ x 3.7″ x 3.0″ (270 x 95 x 75 mm)
- Weight: 1.8 kg (4 lbs.)
- Power: 9V DC regulated, 25 mA max.
A dedicated wah/volume station for the pedalboard builder who wants bass-specific voicing rather than a guitar wah retrofitted for low frequencies.
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