Description
Slot the Para DI at the end of your acoustic chain and let it do the heavy lifting between your pickup and the front-of-house or interface. Built around L.R. Baggs’ Quasi-Passive EQ circuitry, it shapes your voicing with a genuinely transparent hand — boosting or cutting without the smeared, boxy artifacts that plague ordinary onboard or pedal EQs. Class A discrete circuitry keeps the signal path clean under gain, so quiet fingerstyle passages and hard strumming both translate honestly.
- 5-band EQ with tunable notch filter to kill specific feedback frequencies
- Sweepable midrange for dialing in body without mud
- Adjustable gain to match hot or weak pickup outputs
- Phase switch for fighting stage feedback on the fly
- Studio-quality direct box output for DI recording or PA runs
Because it’s a true universal preamp/DI, the Para DI isn’t limited to acoustic guitar — plug in an electric, violin, bass, or any other stringed instrument’s pickup and it’ll clean up and voice the signal just as effectively. It’s compact enough to live in a string pocket or gig bag, yet feature-dense enough to anchor a professional acoustic rig. The design earned Acoustic Guitar Magazine’s Players’ Choice Award, and it remains a go-to for touring pros and home players who want their pickup to finally sound like their guitar.
Artists who’ve relied on L.R. Baggs gear include Jackson Browne, James Taylor, Dixie Chicks, Lenny Kravitz, Vince Gill, Kathy Mattea, Janis Ian, Phil Keaggy, and Pete Anderson.
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